• The foray made by Prachyanat into the world of theater was soon to be recognized institutionally. Within a short time Prachyanat has come to be honoured with a number of awards of the country. A list of awards accorded to Prachyanat appears below.

  1. Best Theatre Group (Year 1999)

    Awarded By: Bangladesh Cinema Journalists’ Association

  1. Best Direction (For the play A Man For All Seasons) Nurunnahar Samad Theatre Award 1999

    Awarded By: Theatre Art Natyadal

  1. Best Production (For the play A Man For All Seasons) Nurunnahar Samad Theatre Award 1999

    Awarded By: Theatre Art Natyadal

  1. Best Light Design (For the play Koinna in the year 2001)

    Awarded By: Bangladesh Cinema Journalists’ Association.

    • Apart from these awards, Prachyanat’s contribution towards theatre in our country is well recognized which can be evidenced by the theatre group’s participation in all of the major theatre events of the country since 1999.

    • In 2000, Prachyanat was invited by the Bangla Academy, Dhaka to perform during its Language Movement Day celebration programme. Prachyanat’s participation in the Ganga –Jamuna Theatre Festival 2002, organized by Anik Theatre Group, Calcutta, India, was a tremendous success.

    • Prachyanat was accorded honourable reception by Nagorik Nattangan, Dhaka (1999); Nandan Theatre, Kushtia (1999); amikaran Theatre, Chittagong (2000); Annanya Theatre, Chandpur (2001); Chunarughat Cultural Council, Habiganj (2002); Kathakali Theatre, Sylhet (2002); Mitali Shangha (2002); Jahangirnagar Theatre, Dhaka (2003); Chekhov Theatre, Russian Cultural Centre, Dhaka (2003).

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We are pleased to invite you to the stage play of the 16th batch of Prachyanat School of Acting and Design.

Play: Inherit the Wind
Playwrights: Jerome Lawrence, Robert E Lee
Translation: Abdar Rashid
Direction: Saiful Islam Jarnal
Assistant direction: Jaganmay Pal, Farhad Hamid

Venue: Mahila Shamity Auditorium, Baily Road, Dhaka
Date: 12, July, 2009
Time: 5:30 pm
Tickets: entrance is free!

Synopsis: Did God create the world with His bare hands in seven days? Did he create humans on the seventh day to overcome his loneliness? Or did modern man evolve steadily from monkeys? Does the “Book of Genesis” contain the key to the mystery or does “Origin of Species” show the correct line-up? The script is based on the eternal debate between science and religion on the issue of creation of the universe and Man. Bartram Keats, a school teacher in Chicago teaches Charles Darwin’s theory of evolution in his class and this enrages the religious league and administration of America. He is sued for blasphemy. Henry Dramand, a renowned lawyer from Baltimore stands beside him to defend him. Henry Dramand faces Henry brady – a blind follower of the bible – in the court.

Henry Dramand wins the case and this case illustrates that the freedom to think is a human’s birth right and logic always wins. Even the mass people support logic, whether the logic belongs to science or religion is irrelevant.

Learn more about Pracyanat School of Acting and Design

Dear Friends,

We are inviting you to enjoy Prachyanat’s popular play

“A Man for all Seasons”

Playwright: Robert Bolt
Translation: Shahed Iqbal
Director: Azad Abul Kalam
Troupe: Prachyanat
Date: 22.06.09 Monday
Venue: National Theatre Hall, Bangladesh Shilpakala Academy, Dhaka.
Time: 7:00 pm

Your Presence shall warmly grace the occasion.

Love n Peace,


Tickets and advance booking
Tickets will be available at the venue before the show.

Advance ticket of “A Man for all seasons” is available now at:

Natok Soroni, Baily Road, Dhaka

Pathak Somabesh
Aziz Co-operative Super Market, Shahbagh, Dhaka.

Fore more info or advance booking call: 01711356786, 01713036809, 01715607022

Learn more about A Man for All Seasons

    • Prachyanat School of Acting and Design is probably the most significant contribution of this theatre troupe in building up an institutional framework towards the study of fine arts in general and theatre arts in particular. The school was established in July 2001 offering a six-month long course in acting and design principles. Interestingly, this young theatre group pioneered the idea of short course in such areas with emphasis on both theoretical and practical aspects. The school has already seen sixteen batches of students who have completed their terms in the last four years.

      Mentioned in the annual publication of the International Theatre Institute (ITI), the school is only second of its kind in Bangladesh to offer such course outside the framework of the university level graduation courses. The classes of the school are conducted by the teachers of various universities, eminent theatre parishioners, and alternative film makers of repute and members of the group.

    • The school is intended to bridge the gap between the strict academic rigours that a university undergraduate degree offers and a large number of interested and motivated people who want to pursue the subjects of acting and design in a more structured way. The school was also floated by the young and energetic band of theatre activists of Prachyanat who believe that good and healthy art can only be sustained if fresh blood is infused. Apart from the Theatre School, which pioneered the idea of a school offering courses in the field of theatre, Prachyanat School of Acting and Design is the only other such institutional training facility outside three general universities offering similar courses.

    • Nevertheless, Prachyanat School of Acting and Design has been able to earn distinction by incorporating in its curriculum such diverse aspects of theatre activity as history of theatre, theory and practice of acting and stage and costume design. The idea behind setting up the school was to pick up new talents for theatre who would be able to take the opportunities of this constantly changing art form. Another reason why we took up the idea was that we wanted to install professionalism in theatre, which is often heard of but seldom practiced. Prominent theatre activists, personalities, and teachers regularly take classes side by side with the experienced trainers of Prachyanat.

Do you need to know anything about us? For questions, comments and suggestions, feel free to use the comment boxes in this blog.If you’d like to email us instead, then here is our email address.

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    • Prachyanat brought Gondar or The Rhinoceros as its fourth full length production in 2003.

    • In the background of the story was Ionesco’s disgust when he saw how his friends slowly accepted totalitarianism during the German occupation of France and the play may be seen as a parable of a regimented society that lost their sense of conscience and individuality by becoming the thick-skinned animals or conformists. In the play Bérenger, an average middle-class citizen, stands alone in his choice to remain human, while the rest of the cast succumb to collectivism by transforming into the wild beasts. He quarrels with Jean, his best friend and Daisy, his pretty secretary. In the office Bérenger witnesses that the staff is gradually joining the rhinoceroses. Finally Daisy and he are the only human beings, and when Daisy too turns into rhinoceros, Bérenger decides to defend his humanity till the end.

    • Apart from the relevance of the message of the play for our time, Prachyanat was attracted to the play’s immense theatrical power. The Rhinoceros is generally thought to be a difficult play to produce, even by an accomplished company. The transformation of the characters into some strange and visibly grotesque requires a fine sense of acting and imagination on the part of the actors.

Original Play: Eugene Ionesco

Translation: Jahurul Haque

Direction: Towfikul Islam Emon

Set and Light Design: Md. Shaiful Islam

Asst. Direction and Costume Design: Towfikul Islam Emon

First Performance:

Number of Shows:

A scene from Koinna - a popular play by Prachyanat
Photo courtesy: Mumit Mahboob

    • Koinna or The Maiden was the third play produced by the group. Scripted by Murad Khan and directed by Azad Abul Kalam, the play saw huge success that was accorded to a new play in theatre recently. Based on a local myth of north-western part of Bangladesh, the play traces the mystery and imaginative creation that operates at the subconscious level of men. The play is not an exploration of the distinction between good and evil but rather a probing into the vary nature of man.

    • The play tells the story of some people of a remote village in Sylhet district. The people believe that they live under the spiritual protection of one “Koinnapir” who is still believed to inhabit the mossy-green water of a local pond as a fish, accessible only to Nior, the respected head and descendent of the house. Nior’s ways of practicing his belief is challenged by Sahebzada, leader of a more orthodox section of the community. Nior is finally able to evade the conflict by an apparent act of self-annihilation which is also seen as his spiritual and moral victory.

    • However, the play is not simply a man’s spiritual history, rather the play is a powerful evocation of the life a community who apparently exist at the periphery of a technological society but whose life and belief system shows us that life’s truths are manifold and sometimes the truth may elude rationality.

    • The play has been seen by many of the theatre reviewers and critics as a powerful use of myth translated into a modern image.

Script: Murad Khan

Direction: Azad Abul Kalam

Set and Light Design: Md. Shaiful Islam

Asst. Direction and Costume Design: Towfikul Islam Emon

First Performance:

Number of Shows: